No space warp, teleport or time machine, this wooden tunnel into the past remains as ordered, "a load of hay high and wide," though ornaments on the portals show its builder knew his classics: made them to look like ancient pilasters and cornice returns; today, inside, the rows of kingposts are like colonnades improbably remaining after earthquakes. No silence is louder: each of its hardwood pegs tolled for its oak tree as it was malleted in-- among the hundreds, not one loose. They worked to make the timbers hewn from the heartwood of the best of the uncut forest grow together again as one--a magnificent wilderness hollow trunk fallen across the stream. On moonlit, windswept nights you can hear the bridge and the trees around like a pack of the wolves that roamed these hills before the settlers' drives doomed them, the higher, louder, throat-voice of the bridge leading the rest. The spirits of boys, like those chubby angels of Renaissance paintings, are everywhere: some loll on the highest roof beams, or swing from one to another; carve their initials or their names with jack-knives; fish through cracks in the floor; dive through windows into the swimming hole below. One older, more serious, waits with a shovel for winter, to snow the bridge so sleighs can cross. Another, more serious yet, is making a wooden model: the day will come when he stands atop a triple arch so vast the mockers call it his folly--a wooden suspension bridge a generation ahead of its time--and he will walk to the center of the ridgeline and shout, "If she goes, I go with her!" They pull away the scaffolding beneath, it settles--and the bridge, the world's longest single wooden span, remains to this day, hardwood married to softwood. The girls were there, too, initials in hearts on the walls attest. What other blessed place was sanctified not by deaths of animals or splinters of bones of murdered saints, but with the kisses and wishes of all the secret loves exchanged therein? This temple of democracy, with its arch reaching in one direction back to Greece, leads in the other....beyond. Who imagined past the iron horse, the horseless wagons, exceeding the weight of anything those roads had seen? This much of life beyond the grave they proved: do what you do the best you know how and you will do better than you could ever know.
[Recited by poet and author Ed Barna at the opening of the Covered Bridge Museum in Bennington, Vermont on June 14, 2003 - Ed]